Tina Knowles Rages on Megyn Kelly for Calling Beyonce a CLOWN | Megyn Obsession Exposed | HO

If you thought summer 2025 was all about cowboy hats, denim, and stadium tours, think again. The real rodeo is happening on cable TV and Instagram, where Beyoncé’s mom, Tina Knowles, just served up a masterclass in maternal shade—aimed right at conservative pundit Megyn Kelly.

The beef? Megyn’s years-long obsession with tearing down Queen Bey, culminating in her latest rant that called Beyoncé “artificial, fake, enhanced, trying too hard.” Tina didn’t hold back. And honestly, it’s the clapback we didn’t know we needed.

Let’s set the scene. Beyoncé’s just wrapped her Cowboy Carter tour, dropped an Americana-inspired Levi’s campaign, and is minding her own business. Enter Megyn Kelly, who decided it was open season on the world’s biggest pop star. On her show, Megyn dragged Beyoncé’s campaign, calling it “the opposite of Sydney Sweeney’s ad,” and accused Bey of building her career on Jay-Z’s checkbook.

If you’re thinking, “Wait, why is everyone suddenly coming for Beyoncé?”—you’re not alone. Even Piers Morgan decided to jump in, accusing Bey of “culturally appropriating Marilyn Monroe” in her new campaign. The double standards are screaming.

But Beyoncé didn’t just sit back. In true queen fashion, she flipped the criticism into part of her show, running a clip of Megyn Kelly’s rant during her concert visuals. Thousands of fans watched as Megyn’s words played out on the big screen, sparking laughter, boos, and cheers.

Was it petty? Maybe. Was it genius? Absolutely. Megyn, predictably, went into meltdown mode, accusing Beyoncé of being “tissue paper thin-skinned” and parading her victimhood for the world to see.

But here’s the twist: Megyn’s fixation with Beyoncé didn’t start with Levi’s. This is years in the making. She’s been throwing shade at Bey for ages, delivering criticism like it’s an Amazon Prime subscription—regular, predictable, and always a little extra.

From calling Beyoncé “fake” to accusing her of clout-chasing, Megyn has built a whole side hustle out of dragging Queen Bey. And when Tina Knowles steps in, you know it’s about to get heated.

Tina took to Instagram with a post so sharp it might as well have been dipped in hot sauce. She praised Beyoncé for giving back to her community, never using someone else’s name for publicity, and never constantly criticizing others’ looks, talent, or character.

The line that really shook the timeline? “If she helped you stay relevant or get your name in the press, you’re welcome.” She didn’t name names, but when the shoe fits, Megyn better wear it.

Tina’s not new to this. She’s been defending her kids in public since Destiny’s Child days, playing both defense and offense like a pro. As she told Glamour, she saw superstar energy in Beyoncé since she was seven—shy offstage, but commanding the room the moment the spotlight hit.

So when Megyn Kelly, Piers Morgan, or any other talking head tries to drag her baby, Mama Tina’s ready to speak up: “Okay ladies, let’s get in formation.”

But why is the right-wing media so pressed about Beyoncé right now? It all started with Sydney Sweeney’s American Eagle ad, which got backlash for highlighting her blonde hair and blue eyes. Conservatives rushed to defend Sydney, calling it “just a jeans ad.”

But when Beyoncé dropped her own Levi’s campaign—denim on denim, pure boss energy—the same crowd lost their minds. Suddenly, it was a national emergency. The only thing that changed? The skin tone. The double standard couldn’t be louder.

And it’s not just about hypocrisy. It’s a pattern. Megyn Kelly has been pushing coded digs and double standards for years, building her brand on “telling it like it is” as a white woman who isn’t afraid to call out powerful Black figures—especially women. From defending blackface on live TV to dismissing Michelle Obama’s comments on discrimination, Megyn’s track record is a highlight reel of problematic takes.

She’s called Jesus and Santa white, referred to Michelle Obama as “Obama’s baby mama,” and pushed the “thug mentality” stereotype. And yet, she’s still positioned as a serious journalist while tearing into Beyoncé’s artistry.

When Piers Morgan accused Beyoncé of “culturally appropriating Marilyn Monroe,” fans clapped back. Marilyn isn’t a culture—she’s a pop icon. Emulating her look is a homage, not appropriation. White celebrities have borrowed from Black icons for decades without critique.

But when Beyoncé channels Monroe, suddenly it’s “fake and desperate.” The irony? Marilyn’s entire image was manufactured—her blonde hair dyed and styled, just like Beyoncé’s has been since Destiny’s Child.

Through it all, Beyoncé barely blinks. She turns the outrage into art, folding critics’ words into her stage visuals and performance. Meanwhile, Tina Knowles is loading up the verbal artillery, defending not just her daughter but Black culture itself.

In recent interviews, Tina broke down the stakes: Black mothers aren’t just raising kids—they’re building infrastructure, pushing for financial planning, generational wealth, and unity among Black women. When you’ve seen your child face decades of racially coded attacks, you’re not letting some cable TV relic rewrite the narrative.

Tina’s social media clapbacks are legendary. She calls out trolls without hesitation, making it clear when the line is crossed. “My kids are like, ‘Mom, don’t answer those crazy people. Just ignore them.’ But sometimes it just gets to be too much and I have to say what I have to say.

Especially when you mess with my grandchildren. I’m coming for you.” Black women are often told to soften their voices, but Tina flips that script—laying down the law with unwavering purpose.

And here’s the fun part: Beyoncé actually keeps her mom in check. On the Sibling Revelry podcast, Tina laughed about posting too much on Instagram and getting calls from Beyoncé to dial it back. “Mama, can you not post so much? Like, come on now.” It’s a window into how intentional they are about protecting the brand, the artistry, and the women behind it.

So while Megyn Kelly keeps trying to bait Beyoncé, and Piers Morgan keeps making jokes, the Knowles-Carter camp controls the narrative. Cozy within their skin, flipping every headline into a clapback and every dig into a history lesson. Tina’s not just defending her daughter—she’s building a fortress around the next generation of Knowles-Carter women.

Bottom line? Megyn Kelly’s obsession with Beyoncé is less about denim ads and more about power, race, and who gets to define American culture. Every time Megyn takes a swing, Beyoncé turns it into art—and Tina turns it into a lesson. So, are we finally ready to hear it? The Knowles-Carter camp isn’t just surviving the drama. They’re thriving, teaching us all how to turn shade into shine.

Now, let’s get in formation.